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Our
director
- Carlos Fernández Aransay ARCM
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Gerald Place
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Carlos
obtained teaching degrees in piano, theory, harmony, counterpoint and
composition at the Royal Conservatoire of Music in Madrid. In 1988 he
moved to London to study at the Royal College of Music, where he completed
post-graduate studies in composition, with Anthony Milner and Timothy
Salter, as well as conducting with Christopher Adey, and obtaining a
teacher’s diploma (theory and composition), ARCM. He then went on to
study conducting in Vienna for three years with Jacques Delacôte. In the
Czech Republic he has conducted the Bohuslav Martinu Philharmonic and
Marienbad Symphonic Orchestras and has also recorded a programme under the
title Spain in the Romantic Germanic Opera with the Pilsen
Radio Orchestra. In 1993 he became assistant conductor and chorus master
of the Earls Court arena production of Carmen, with which he
travelled to Zurich, Munich and Berlin, working with José Carreras, Simon
Estes and the Ambrosian Opera Chorus. He has been an assistant to Jacques
Delacôte, John McCarthy, Simon Joly and Terry Edwards, and has worked as
a specialist interpreter to Harry Cristophers, during masterclasses in
Granada, Spain.
He
studied singing at the Escuela superior de Canto, Madrid, where he also
worked as an accompanist. In London he has sung as a soloist in recitals
and the operas Anna Bolena, La Traviata and Un ballo in maschera and has
collaborated with Midsummer Opera in their production of Rossini's La
donna del lago. He studied with Andrew Downie and is currently studying
with Jean Hornbuckle.
In
1995 he founded the chamber choir Coro Cervantes, under the auspices of
the Instituto Cervantes. He teaches choral and orchestral conducting
regularly since 1999 at the Conservatoire of Celaya, Mexico, and since 2002
at the Conservatoires of Trujillo and the National Conservatoire in Lima, Peru.
He is Music Director and a member of the jury of the Trujillo
International Singing Competition, Peru. As a conductor,
in 2001 he collaborated with Blackheath Opera - in their production of
Frank Bridge's opera The Christmas Rose-, the London Gay Symphony
Orchestra and the Camden and Kingsway Symphony Orchestra. He has had several articles published and works premiered in
Madrid and London and translates for EMI Classics and Naxos. During 2000
and 2001 he has been Festival Assistant of Spitalfields Festival, in
London, and since 1998 he is Assistant Secretary of the Iberian and Latin
American Music Society, ILAMS. He conducted a masterclass in autumn 2001 on Spanish and Latin American vocal repertoire
at the Guildhall School of Music and Drama, London. He teaches vocal and
operatic repertoire at the City Literary Institute, London.
In
September 2004 Carlos conducted the London Siymphony Orchestra in a new
recording of Spanish composer Antón García Abril. In December 2004
Carlos conducted for the first time the National Choir of Spain, and in
March 2005 he made his debut conducing them at the National Auditorium in
Madrid.
In
September 2005 Carlos made his debut conducting the Cuban National
Symphony Orchestra in Havana, in a programme of opera overtures and arias
with soprano Bárbara Llanes, which was repeated in Coro (Venezuela) with
the Falcón Symphony Orchestra a week later.
In
November 2005 Carlos took up his role as Music Director and Member of the Jury of the
Rosario International Singing Competition www.vocesliricasrosario.com.ar
(Argentina) and conducted the closing gala concerts with the SODRE
Symphony Orchestra in Montevideo (Uruguay).
In
June 2006 Carlos returns to Peru to conduct the Peruvian National Symphony
Orchestra, the Orchestra of the National Conservatoire and to continue his
work promoting young operatic talent in the continent.
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